My aim in this article is to distil that information for you, to help you on the way to your perfect drum sound.Ĭlearly, different miking methods suit different records, and even the studio greats disagree about which techniques 'sound best', so ultimately it's up to you to decide which works for you. In the process, I've compared the snare- and kick-recording tricks of fifty high-profile producers, who are collectively responsible for hundreds of millions of record sales. The reason I know this is that I've recently been combing SOS's interview archive and Howard Massey's book of interviews Behind The Glass, looking for nuggets of wisdom on this very subject. When it comes to describing in interview how they record drums, top producers seem to spend more time discussing techniques for snare drum and bass drum than anything else. ![]() We pass on the hard-won wisdom of fifty top producers in the essential Sound On Sound guide to recording kick and snare drums, the backbone of modern music.
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